I have not seen the new movie that came out on Christmas, and will probably not get a chance until it is on video or at the $2 theater in Minneapolis (when maybe I will be willing to leave the baby with a sitter). I have seen the musical performed live and have read the unabridged novel; this reflection is based more on the novel but does not depart from the plot of the musical.
While I can’t boast of fluency in French, I have read that “les misérables” translates into something like “the outcasts” or “the wretched ones” or “the miserables.” I want to focus on the “outcast” translation. If you look at each of the main characters, they are all outside of society: Jean Valjean the exconvict, Fantine the former mistress of a wealthy student who was left with an illicit child, Cosette the orphan child being raised by the exconvict, the Thenardier family who spend their whole lives stealing from people, Javert who is a police officer standing outside society to keep order, and Marius the orphan and republican student.
The character I am going to examine is Jean Valjean. He spent 19 years in jail regretting his small crime, and is filled with rage and hate. He encounters society’s terror of exconvicts when he is on parole when he is unable to find food or shelter; however, even after his conversion caused by the bishop’s kindness, he lives in fear of his former self. No matter how many good deeds he does and how virtuous he becomes, he is always aware of who he is, Jean Valjean the exconvict. It doesn’t matter that all he did was break a window and steal a loaf of bread when he was starving: he is an exconvict. As soon as people learn of his past, they fear him and think that there is no possible way that he can be good. Yet, when they do not know his identity as the exconvict, they recognize his saintly deeds and virtuous character.
There are several turning points in the story where Valjean struggles with choosing the morally right thing. If he follows his conscience, he will have to expose his past (and what he believes to be his true self) and be condemned by those who respect him; however, because of the influence of the bishop, he has been transformed and cannot disregard his conscience. It is not until the end of Valjean’s life that there is a person who is aware of both his criminal history and all the good he has done. This person recognizes that he is a saint.
Jean Valjean represents the life of a saint. He has a conversion, turns from his old life, never does a wrong thing again and is constantly running from his former sins. He seeks the life of virtue and union with God, but is always aware of his sinful nature. He constantly condemns himself when he is already good. He continues to find his weaknesses and overcome them until he has completely abandoned himself to the point of physical death. I think this is how we are called to overcome our sins, to become more and more selfless so that we completely lose ourselves in God. We need to be horrified at our ability to sin and our past sins. Fortunately, God is much more forgiving than society, and we must run to him. Valjean’s one flaw is his inability to accept forgiveness from God for his past sins, but in this he displays what it is to live a penitential life.
If we truly live the call to sainthood, we will be cast out of society like Jean Valjean. To seek be holy in a modern society is to be set apart a life of virtue and penance does not make sense without God. If we are truly seeking to be holy, we will be outcasts. This experience of being cast out of society is becoming more and more real for Catholic Christians in modern America. Being “set apart” is never easy, but with the grace of God it can and will be done. God will provide what we need to be sustained through the community of believers. Valjean says that love is what leads to human flourishing; without love the human soul dies, the human dies. So we must live the lives of saints with those whom we love and not fear the call to be outcasts.
Originally posted on Truth and Charity.
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